By Ikenna Obioha
Only a handful of songs have the ability to encapsulate both depth and soul in a manner that transcends mere lyrics and melodies, weaving emotions in symphony with the musical instruments.
John Owonibi achieves this in Gratitude, a grateful contemplation worship track that spans just 1 minute and 17 seconds.
The track, which reveals a deep relationship between him and the creator, opens with the delicate piano notes of Dr Mayorkeys, who renders it with a legato touch that melds seamlessly with the violin strings, setting the stage for Owonibi’s calm vocals that reflect his emotional state of being grateful for battles won.
With rhapsodic piano notes of Dr Mayorkeys, Owonibi’s vocals resonate in a harmonious and sympathetic blend, heightening the emotional intensity of the musical composition. His spoken lyrics gain more depth with the accompanying notes that mirror every cadence, resembling a backup singer on the lone verse.
Stripped down, Mayorkeys’ skilled ability to capture the song’s essence is perceptible to a high degree. His choice of arrangement does not deviate from the singer’s vision to capture vulnerability, which proves that the song would impact similar emotions if it were an instrumental track or acapella.
Upon multiple listens, one could discern the track’s purpose in capturing a moment of connection and familiarity, and presenting it in its pure form. Nevertheless, it leaves the listener desiring more to revel in. A lengthier track could offer a more rounded experience, but judging by the lyrics, less might be more.
After all that I’ve been through
I’m still here and standing strong
Not by strength, not by might
But you, Lord – the singer croons.
The closing moments of Gratitude are punctuated with the soothing resonance of the strings, which promptly exit to give way to the articulated notes formed from Mayorkeys’ dexterity, imparting a sense of release.